#10 Screenprinting

Brain Reed
"Switchfoot & Anberlin Fall Tour 2011"
Screenprint - Poster

I chose this screenprint for shape. I love the way artists use an image within an image and it is always fascinating trying to figure out how it was done. The shape of the lion in the negative space appears within the shape of the fingerprint. I always gravitate to images like this because it makes you think.

http://wae.blogs.starnewsonline.com/20437/the-lion-the-print-and-the-cause-graphic-artist-designs-poster-for-charity/

#9 Collagraph

Susanne Clark
"Under the Hot Sun"
14in x 14in

This is a wonderful print and I chose it for color. The amount of color is incredible and I would love to know how she got the final product. The use of reds and yellows and pink all work very well together, creating a landscape of a desert sunset. I was drawn to this piece because of large amounts of reds; it was able to grab my attention. The way she added in the highlights, i'm assuming by wiping the plate, was beneficial and only adds to the work.

http://nonakedwalls.blogspot.com/2008/08/new-collagraph-print-under-hot-sun.html

#8 Collagraph

Kari de Koenigswarter
"Tuscan Landscape"
30cm x 43cm

I chose this piece for texture which is fitting for a collagraph. The artist was able to get deep ridges which represent the texture of the mountains. Just by looking at it you are able to gain an idea of what it would feel like, you are able to imagine the texture. This was an interesting piece overall but I was fascinated with the way she gets the small buildings off in the horizon. Being able to get such small detail in a medium like this must have been difficult.

http://www.dekoenig.com/gallery/tuscanlandscape.html

#7 Drypoint

Artist - Hugh Bryden

"Carsethorn"
Drypoint on Plexiglas
7 inches x 19.5 inches

I chose this piece for patter and repetition. I wanted to focus on the plants and bushes in the foreground. The artist uses the pattern and repetition of lines to create the beautiful landscape. This caught my eye because of the intricacy and detail of the lines he needed to create this. The way he chooses to use the positive and negative space is beautiful and I am constantly studying this piece to understand how he made this work.

http://www.nontoxicprint.com/drypoint.htm
http://www.hughbryden.com/?cat=20

#5 Linocut/ Linoleum Cut

Artist - Elizabeth Catlett

"Sharecropper"
Color linocut on cream Japanese paper 
450 x 431 mm (block); 544 x 513 mm (sheet)

This piece is a great example of texture. Catlett gets the illusion of texture with the repetition of her lines she creates. Especially seen in the hat, you get a feeling for the texture of a straw hat as well as the texture in the background representing some sort of field the worker is in.
I was attracted to this piece because of the emotion. You are able to read the expression on the face of the worker. I also like how the artist chose to give the face color and leave the rest black and white. It is a great way to bring your attention to the main subject matter of this work.

http://www.artic.edu/aic/collections/exhibitions/AfricanAmerican/Sharecropper